A Garden in Fiesole

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I sat soaking up the sun in a small walled garden. Tumbling geraniums held the moss-covered stones together, just as they did most of this hillside town. The drone of bees left the air heavy. Once formal garden paths weaved towards a statue of the Virgin, who stood forgotten in the centre of the garden. A rose branch crept out to tenderly embrace her.

Persimmons in the convent garden
Persimmons in the convent garden

Autumn sunshine danced through the trees, with midges floating contentedly in the warmth of its wake. Church bells floated up from the city. Below me, the Duomo rose above the purple haze of Florence. I hadn’t expected the cathedral to dominate the skyline so. Maybe when it was first built, but not in the twenty-first century.

Some forty-eight hours ago my plane had landed in darkness. Flying anywhere from Australia takes forever, and I’d spent a lifetime suspended in that metal cocoon. At four in the morning Rome airport lay deep asleep – except the barista, his immaculate attire completed by an elegant three-day growth. He slid an espresso across the polished counter to me, and in minutes the potent brew had shattered through the layers of cobwebs numbing my brain.

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A typical convent courtyard

Now the convent cat purred around my legs. Behind me, three Medici pomegranates graced the entrance to the convent. Hidden amongst Etruscan ruins and run by Irish nuns, Fiesole’s Villa San Girolamo once lay under the protection of Lorenzo il Magnifico. A Medici summer retreats stands reclusively across the road from the convent. Somewhere in the hills behind me a plaque marks the spot where Leonardo tried to fly.

The nuns run a home and a nursing home for the elderly. Their broad brogue was a welcome relief after my long hours of travel. I was lucky enough to be a guest at the Villa San Girolamo for the short while they took paying guests to help cover costs, before a communist mayor banned the practice. Divisions of history still run through the town. Bullet holes on one of the convent walls marks the spot where some nuns and villagers were killed during WWII for helping Allied soldiers.

The creak of the gate told me I was not the only one awake. Siesta was ending.

The Arno at dusk
The classic image of FLorence

An ancient priest hobbled towards me, a gnarled stick in one hand, a rosary in the other. His brown cassock slowly swayed with each step. I had seen him yesterday presiding over Mass. In a cathedral predating the Battle of Hastings, he had withstood the onslaught of communion, when the entire congregation gossiped and jostled to be first in line. (I later successfully imitated this technique at the markets.)

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View from Florence to the surrounding hills

Now he came to share the turn of the day with Mother Superior, to ease arthritic joints in the sun whilst gossiping over coffee and biscotti fresh from the convent kitchens. I smiled hello as he passed, and he slowly lowered himself beside me.

Some bells rang out from the Franciscan monastery up the hill. As if released by the sound, the priest’s vernacular flowed. He spoke continuously, all the while his hands waving through the air, an extra voice to his own. He talked largely to himself, his back turned half towards me without any expectation of reply. Indeed, most of the time I could barely hear him.

“Paradiso.” Finally. A word I could understand. Paradise. I was sitting surrounded by it. “Leonardo.” Another word fell towards me as, turning his stiff body, the priest embraced the hills behind, his words incessant with fervour and youthful joyousness. Chortling, and with cane dangling from one hand, the priest slowly stretched his arms out wide as if he were flying. As infectious as any child’s, the old man’s laughter spilt over me, holding me captive. Then he whistled and spun his finger in a downward spiral, laughing and shaking his head.

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An overgrown garden

Another bell chimed, and the priest stirred from his thoughts. Mother Superior was waiting. Rising slowly from the bench, his weight full onto his rickety cane, the priest gave the cat and me a final blessing, and was a gone.

I slowly closed my eyes. How many sins had I just committed?

I had fooled a priest.

Unwillingly, but I needed no Jesuit to argue moot points of theology. The old man had talked unceasingly; I spoke at best two-dozen words of Italian. How could I even go to confession? He was bound to be the priest administering absolution.

Instead, I looked at the icons of Florence unfolded below me, a map shimmering through a mist of trees. The Duomo, the Uffizi, the Baptistery; the priest was right. This place truly is paradiso.

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The Literary Traveller

Born in Florence in 1313, Giovanni Boccaccio was one of the first Italian poets to write in the vernacular, as opposed to the all-pervading Latin. He began [easyazon_link identifier=”0140449302″ locale=”US” tag=”aharrison20-20″]The Decameron[/easyazon_link] around 1349. Essentially a collection of novellas, it weaves around 7 young women and 3 men taking shelter in the hills of Florence to avoid the plague (of 1340). It is considered an early Italian masterpiece, and its influence can be seen in later writings (including Chaucer’s [easyazon_link identifier=”0140424385″ locale=”US” tag=”aharrison20-20″]Canterbury Tales[/easyazon_link]. It also records daily life, thought and culture in 14th Century Italy.

2 Thoughts on “A Garden in Fiesole

  1. I love the classic image of Florence; gorgeous.

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